Need to focus on five areas in landscape photography

The natural environment, the atmosphere of shooting
Nine, the natural environment, the atmosphere of Lens Accessories shooting
1, cloud shooting
The cloud sky wet the condensate, it is in the sky as the weather changes and condensation, mobile and dissipate. Clouds are really beautiful, and there are a variety of different images, common to the clouds, cloud the ichthyosis cloud, on-chip cloud, a cloud is stratus, Huoshao Yun, etc..
Interested in shooting landscapes, people, and is Camera Batteries particularly fond of the cloud. A scenery photo because beautiful With cloud will increase. Many good scenes but often lack the clouds of the sky, so that the too empty part of the sky on the screen while the fly in the ointment, and even affect the balanced picture of the structure and tone.
The cloud can not only increase the beauty of the scene, and so balanced picture but also take advantage of the season and the climate of different image cloud performance scene. Spring morning, for example, thin clouds, summer condensation lingers stratiform the Lighting StudioThe beautiful autumn ichthyosis cloud, early winter sparse Article cloud; morning sea of ​​clouds and evening clouds, the sunny cloud typhoon on the eve of the Huoshao Yun, Fengyuyulai the dark clouds, etc., are the performance of each of the different seasons, climate and time. Even if the scene itself did not clearly indicated that the characteristics of the time, but because of the scene with cloud, from the cloud image can know is what season renovating climate.
The cloud is there are a variety of different image. Camera Flash The Baiyun foil scene, and also pay attention to whether the image of white clouds and scenery adapt. For example, there are significant bar scene, it should not be optional bar cloud as a foil, or it will make the picture more horizontal lines, causing the screen rigid lines did not change the feeling. Another example is taken with the scenery body size equal Baiyun accompany the body, can also cause the screen of the host and the guest, regardless. Therefore, taken as a foil scene Baiyun, must pay attention to its image, with the main object significantly different proportions to make the picture vivid, touching.
Secondly, no shades level of Baiyun, unfit for any scene Tripods Headfoil, is even more inappropriate as the main, more general level, the Baiyun mostly generated in the morning or in the afternoon when the sun dipped. Therefore, in the diagonal rays of sunlight shooting scenery, is the most suitable for the use of sky and white clouds accompany the body. The cloud image is ever-changing as the wind, we want to grasp Camera accessoriesthe opportunity, to be patient, and will take good cloudscape. But to pay attention to the use of color filters, color extra polarizer shooting, black-and-white photography and more with yellow, orange filter.
2, the fog, Xia Jing shooting
Using a variety of fog layer or Xia layer of shooting scenery, make the scene changes can nearly far. Also make the tone of the scene changes can be deep or shallow, giving the scene a rich level. Not yet in the morning fog evaporation of solar heat dissipated Mountain Flash Accessories View each mountain peak protruding above the dawn mist when shooting backlit backlit exposure due to the proximity of the mountain layer has a different thickness of the morning mist, fog layer is very bright, as long as the the closer mountain layer as exposure foundation, shoot out will naturally show from deep to shallow rich layers bright photos.
Clouds in the mountains will often wind direction, and sometimes they stay on the mountainside and occasionally only exposed peaks, and the layer of fog in the woods the sun irradiation from the sparse foliage of space to the forest to produce a section of the setting sun light, and this light, with the projection direction and angle of the sun high Camera Equipment and low metastatic shows the light and shade of the light beam. All this natural scenery changes to our shooting mountains scenery to create favorable conditions, as long as we live the King, to grasp the natural change of scenery can shoot artistic scenery of the high quality and number of photos.
Sunset in the evening, when, due to less space moisture evening sunset often than the dawn fog weak. Sunset shooting scene, there is Xia atmosphere manifested distant scene, close the scene like no sunset like to use backlit shooting sunset scenery, sunset like the morning scenery can performance Talking about the level of the scene. But the backlight irradiation in the sunset scene, the scene near Xia gas susceptible to a bright distant Xia Jing impact underexposed. Shooting Xia Jing, near the scene for the main, it should be near the metering standards. Sometimes shooting a distant sunset views, we have to use a long focal length lens zoom in for shooting the scene on the screen area occupied.
3, the Rain King shooting
The rainy weather is the least favorite photographer, whether the next heavy rain or drizzle, few people took the camera to the shooting scene outside, and some even think that a rainy day can not shoot scenery.
As we all know, the light will be able to photography. camera tripod We can shoot at night at night, during the day and of course, more rain scene can shoot, and you can shoot dynamic rain scene, rainy night, night view, and also the right to take the rain. The rainy scene has its unique ambience, not to mention a rainy day is also the scene of people's lives, there must be. In order to reflect more the life of the rich scenery, Rain King is our indispensable shooting theme.
Filming a rain scene for the performance of the the rain bars in the rain scene photo, in addition to select heavy rain, must also have a deeper tone background set off Caixing. If the rain scene background is the sky, rainy sky must be thick white clouds, the rain was very large, and can not appear with white background with rain bars. Background nearer rain strip is easy to show, farther background scene scenes inevitable rain bars is not easy to clearly apparent. Shooting rain scene taken from the scene should not be too large, but also to avoid the white sky occupies most of the screen, which will affect the performance of the bar scene in the rain.
The rain scene brightness, are generally relatively weak. Shooting rain scene are generally required to use a larger aperture and shutter speed slower, should stand before the rain scene enough photosensitive showing the the rain landing strip scene space not yet able to grasp the rain dynamic than a high position shooting. General rain scene shot with a shutter speed of 1/60 sec, and will be able to show not landing in the rain in the space bar, if you use a faster shutter speed shooting the rain rain scene space bar becomes shorter, use a slower shutter speed The longer rain scene, the scene in the dynamic may be not clear enough.
Shooting scene, in the light rain weather enough to appear in the scene because of the rain, it can not be demonstrated Rain strips. However, the use of drizzle in the woods or the mountains layer shooting in dark colors, because the sunlight is not the scene is full of the color of the objects of the Shenzhen Special Economic Zone, drizzle in the dark objects such as fog layer will appear a far qianjin deep tones. If the shooting range is not great exposure keynote brightness for close objects, but also in the scene, showing rain such as fog, misty rain scene.
Whenever the summer time, often in the sunlight suddenly under a heavy rain, this is the best time of the shooting rain scene. Shooting scene, the camera lens, it is easy to get wet in the rain, and are advised to consider the good before shooting it, Photography Equipment  good rain preparation tool.
4, Snow shooting
The snow is a white crystalline substance, which spread under, or accumulate in the scene, the scene gave it to cover white objects tone shades object, and thus the snow is more white part of the scene, giving a white lovely feeling. Precisely because the larger the area occupied by the snowy white portion, is brighter than other scene, when the solar rays, the more brightly. It on film photosensitive sensitive than the general scene, snow is a transparent crystal capsules, only in distant places can be clearly demonstrated this texture. Therefore, in order to show the shades of the snow and the recent local snow particles showed transparent texture, the use of the most appropriate backlit or edge-lit snow scenes. , Even vision due to backlighting or side backlight have a profound atmosphere. If a positive light or top light shoot snow due light Pingzheng or vertically according to the relationship, not only can not make the fine white crystal substance to produce shades of color and texture, and make objects lose three-dimensional. Backlit or side-light irradiation in the white area of ​​the snow, not snow covered the other shades of objects bound to become easy black objects. Level appeared to beat the snow must be soft sun light snow in snow and other shades of objects.
Being under concubines snow scenes, also follows rain shooting, there must be a dark background for the background, easy to show the sky flying snow. If to shoot sky broader scene, it is only in the space in front of some dark object to see the snow, the rest of the snow is not apparent.
Shooting snow in the sun, not to over-white filter (polarizer), shooting can be used as needed to make the azure sky.
Hierarchy of objects and lines of the snow in order to obtain a more concise picture of Snow, but also clearly demonstrated, selectable lines more beautiful local scenery and soft backlight, backlight side shooting, so that snow objects can level lines are fully apparent, and thus get more happy snow.
5, Sunrise, Sunset shooting
From the sun just rising on the horizon or in the sun was setting, the ground covered by a glow or sunset light scattering of the sun, showing a light scattering of round the sun, which is shooting Sunrise or sunset. Sun just left or just off the sky on the horizon there are often a backlit colored clouds, we can wait until the sun clouds and light scattering shoot sunrise or sunsets. In this way, not only can avoid the the solar scattering of negative halo, and sky portion of the scene can be not only the presence of the sun alone.
The sun just left or is about to fall inverse according mountain layer, the mountain layer reflective due to the absence of water, sun sky completely black hue contrast. Therefore, in the mountains shooting sunrise or sunsets, only in the cloud covered the sun or in a more balanced amplification is to increase the exposure of the part of the sky, before hue of the sky and the mountains layer.
In the sun Gangchu or will fall, the sky some clouds is also a common phenomenon. To avoid too monotonous sky, more sparse leaves, branches, can help the scene screen structure balanced as the prospects of the open sky part. However, branches and leaves too much or too heavy, it will cover most of the sky affect the equilibrium of the screen.
The image of the sun and the tone is not much difference in the morning and evening. From photos up the difference between the sunrise or sunset, it should be through the scene and tone to distinguish the morning horizon the sky generally cool and bright, the sun will rise quickly spread shot Guangmang. At dusk on the horizon are generally more turbid sky, the sun from the horizon is still far there is no light scattering. To distinguish from the tone in the morning sky tones reddish yellow and dusk tones with magenta.
Sunrise shot, the sun just rose on the horizon should be immediately shot, you can not miss. Shoot the sunset can start from light scattering, until the will enter the horizon, can calmly shooting.